Cuban Casino Style Salsa
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*Cuban Casino Style Salsa Ranchera
*Cuban Casino Style Salsa Chips
*Cuban Casino Style Salsa Recipe
*Cuban Salsa Videos
*Cuban Casino Style Salsa Casserole
Salsa is a Latin dance style that developed in the early 20th century in Colombia’s before the Communist revolution. Initially influenced by Puerto Rican salsa manufactured, and distributed to all Western New York. Originally developed salsa dance base measures Hsun Hwawanko Colombian and Afro – Cuban combined elements of swing dancing, mambo, cha cha cha, and a variety of African dance – Cuban others.
Dance danced the rhythm of Latin music four quarters, based on the Son, Timba or Mambo.Salsa Styles:
Salsa’s roots are based on Cuban Son, specifically to the beat of Son Montuno in the 1920s. However, as it is a popular music, it is open to improvisation and thus it is continuously evolving. New modern salsa styles are associated and named to the original geographic areas that developed them. There are often devotees of each of these styles outside of their home territory. Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other. The point in a musical bar music where a slightly larger step is taken (the break step) and the direction the step moves can often be used to identify a style.
Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
So now that the Cuban especially those who were in the casinos and those who were in the night clubs when they came out in Miami, they brought a specific style of salsa with them called Lahue’la or casino style salsa. When the casinos were closed, people still referred to the dance style by using the name of the places where dancers used to gather to do it: “casino” and the name stuck. Cuban casino dance differs from the North-American salsa styles in that it is ‘circular’ rather than linear.
Latin American styles originate from Cuba and surrounding Caribbean islands including Puerto Rico, and theDominican Republic and then expanding to Venezuela, Colombia, and the rest of Latin America; also heavily influence “Miami” style which is a fusion of Cuban style and North American version. The styles include “Casino”, Miami-Style, Cali-style and Venezuelan Style.
North American styles have different characteristics: Los Angeles style breaks on the first beat “On 1” while New York style breaks on the second beat “On 2”. Both have different origins and evolutionary path, as the New York Salsa is heavily influenced by Jazz instruments in its early growth stage.Cuban “Casino” style:
Cuban-style salsa, also known as Casino, is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East. DancingCasino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering around their popular music. Quick online poker tips.
The name Casino is derived from the Spanish term for the dance halls, “Casinos Deportivos” where a lot of social dancing was done among the better off, white Cubans during the mid-20th century and onward. Historically, Casino traces its origin as a partner dance from Cuban Son, fused with partner figures and turns. As with the Son, Danzon and Cha Cha Cha, it is traditionally, though less often today, danced “a contratiempo”. This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music. What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a “Casino” dance. In the same way that a “sonero” (lead singer in Son and salsa bands) will “quote” other, older songs in their own, a “casino” dancer will frequently improvise references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage. This is particularly true of African descended Cubans. Such improvisations might include extracts of rumba, dances for African deities, the older popular dances such as Cha Cha Cha and Danzon as well as anything the dancer may feel.Miami-style Casino:
Developed by Cuban migrants to Florida and centered around Miami, this form of Cuban Salsa fused with American culture and LA Style. Major differp of Colombian Salsa is the “Atras” or “Diagonal”; breaking backwards diagonally instead of moving forwards and backwards as seen in the New York and L.A. Style. Dancers do not shift their body weight greatly as seen in other styles. Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies. The dancer breaks mostly On1 (sometimes On3), with short measures of “4” instead of full “8” counts.
A major difference of Cali Style and the other styences of Miami-style Casino is that it is exclusively danced on the downbeat (On1) and has elements of shines and showstyle added to it, following repertoires of North American Styles.
Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.Colombian / Cali style:
Cali-Style Salsa, also known as Colombian Salsa, is based on geographical location of the Colombian City of Cali. Cali is also known as the “Capital de la Salsa” (World’s Salsa Capital); due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.
The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as Pachanga and Boogaloo.
The basic steles is the footwork which has quick rapid steps and skipping motions. They do not execute Cross-body Leads or the “Dile Que No” as seen in LA/New York-style and Cuban-style salsa, respectively. Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships. Cali hosts many annual salsa events such as the World Salsa Cali Festival and the Encuentro de Melomanos y Coleccionistas.Los Angeles style:
L.A. style is danced on 1, in a slot, with a measure of easiness and adaptability to it. It is strongly influenced by the Mambo, Swing, Argentine Tango and Latin Ballroomdancing styles. L.A. style places strong emphasis on sensuousness, theatricality, aerobics and musicality.
The lifts, stunts and aerial works of today’s salsa shows are derived mostly from L.A. Style forms with origins in Latin Ballroom and Ballet lifts.
The two essential elements of this dance are the forward–backward basic as described above and the cross-body lead. In this pattern, the leader steps forward on 1, steps to the right on 2-3 while turning 90 degrees counter-clockwise (facing to the left), leaving the slot open. The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot. After these 8 counts, the leader and follower have exchanged their positions.
Albert Torres, Laura Canellias and Joe Cassini are credited for the early development and growth of L.A. Style Salsa. Later, such dancers as Alex Da Silva, Edie Lewis, Joby Martinez, Josie Neglia, Liz Lira, Johnny and Francisco Vazquez and Janette Valenzuela are often credited with developing the L.A. style of salsa dancing as we know it today.New York style:
New York style is danced in a line similar to LA Style salsa. However, unlike LA style, it is danced on the second beat of the music (“on 2”), and the follower steps forward on the first measure of the music, not the leader. The etiquette of New York Style is strict about remaining in the “slot” and avoiding traveling dancing in a sandbox area with a lot of spins, turns and styling. There is greater emphasis on performing “shines” in which dancers separate themselves and dance solo with intricate footwork and styling for a time—suspected origins from Swing and New York Tap.
Though he did not create New York style salsa, Eddie Torres is credited with popularizing it, and for having the follower step forward on the second beat of the first measure.
There are two distinct developments of New York salsa as a music and dance genre:
*Primary original evolution from Mambo era when Cuban music was introduced to New York due to influx of migrating Cuban dissidents and Latin migrants during Pre/Post Cuban Revolution in the 1950s and 1960s. This era is known as the “Palladium Era”. At this time, the music and dance was called “Mambo” or “Rhumba”—connoting the general term without being specific. The most famous dancer during this era was Puerto-Rican descendant Pedro “Cuban Pete” Aguilar, also known “The King of Latin Beat”.
*Secondary evolution during the late 1970s, Latin migrants, particularly Puerto Ricans, contributed to the New York salsa development during the “NuYorican” era of Héctor Lavoe which greatly popularized salsa as a term and modern Latin music throughout the world. Salsa superstars were “discovered” during the era, such as Ray Baretto (“The Godfather”) and Celia Cruz (“The Queen of Salsa”). There are also salsa artists that transcend both periods, notably the legendary Puerto Rican Tito Puente (“The Mambo King”).
These two developments create a fusion of a new salsa music and dance genre, different than its Latin American and L.A. Style counterparts.
New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.
(wikipdia)
Dance like no one is watching!
Following information was compiled from various sources on the Internet
Following categories are covered below:
1. Salsa Music and Dance Around the World (New York, Los Angeles, Cuba, Colombia, West Africa)
2. The History of Salsa and Timba
3. Cuban Casino style Salsa dancing
4. History of Salsa Rueda and what is Salsa Rueda
Chris with Pupy, one of the original founders
of Los VanVan (Cuba)Jessica and Chris with Giraldo Piloto
in Havana, CubaJessica & Chris with Eugenio “Raspa”
Rodriguez of Septeto Nacional in HabanaPalacio de la Rumba in HabanaDrummers at Rumba classDrummer at the Palacio de la Rumba
in HabanaNew York (USA)
Salsa Music
During the 1940s and 50s, Cuban musicians had a huge influence on the New York music scene.But once Fidel came to power, diplomatic relations fell apart between Cuba and the US. Cuban musicians could no longer travel to the United States and Cuban recordings received no air play time. So the Puerto Rican and NuYorican (New Yorkers of Puerto Rican descent) musicians took on The Big Apple single handed.
These days New York salsa has a distinctly Puerto Rican sound ‚ smooth, polished, classic salsa. It tends to follow the jazz structure, incorporating lengthy instrumental breaks to showcase the ability of particular musicians.
Leading musicians playing NewYorican Salsa:
Celia Cruz
Willie Colon
Eddie Palmeiri
The Spanish Harlem Orchestra
Jimmy Bosch
Salsa Dance
The high concentration of Puerto Ricans and NuYoricans in New York, means that the New York salsa dance style is strongly Puerto Rican influenced, with an emphasis on fast flash footwork.
But, there‚is also a strong Latin Hustle influence in New York salsa dancing. It looks like this is a byproduct of the disco craze, which was HUGE in The Big Apple in the late 70‚s and early 80‚s. Take another look at Saturday Night Fever when you get the chance.Tony Manero (John Travolta) is King of the Latin Hustle in the local Brooklyn discos.
When salsa started to move into the Manhatten based clubs in the late 80‚s, many ex-Hustle dancers brought their disco moves into their salsa.
The current New York salsa style is called Mambo or Salsa On 2. It‚s a blend of Puerto Rican salsa and Latin Hustle with the break on the second beat of the clave. New Yorkers are quite fanatical about Salsa On 2 – there‚s stacks of internet sites which debate the finer points of ‚Salsa On 1″ and ‚Salsa On 2″.Explore them if you dare.Los Angeles (USA)
Salsa Music
LA doesn’t have a distinctive salsa music style. Local bands adopt the Puerto Rican classics. In LA-style Salsa Cuban salsa music isn’t popular, as it doesn’t work with the LA dance style.
Salsa Dance
LA style salsa moves are designed to dazzle the spectator – exciting, sexy and flamboyant with lots of dips, spins and drops.
The dominant influences are from Puerto Rican salsa, Latin Ballroom and probably Lindy Hop (an American dance that evolved in Harlem, New York City, in the 1920s and 1930s and originally evolved with the jazz music of that time.)
The LA style “shines” have their roots in Latin Ballroom. Couples break away from each other in the middle of a dance to start “shining”. Women will extend their arms to strike a pose, then play with stylised hip and hair movements.
Men’s shines tend to focus on tricky footwork based on Puerto Rican style salsa.
LA style salsa dancers often develop highly choreographed cartwheel and flip routines into their movements.Cuba
Salsa Music
The contemporary salsa sound coming out of Cuba is called‚ timba. It’s a fast tempo salsa with a strong afro-cuban influence. Songs will often follow a traditional rumba structure – start slow, break into a core salsa rhythm, then settle into a beautiful call and response vocal pattern. The backing vocalists keep the standard response running while the lead vocalist improvises. Ahi Na Ma!
The other feature of cuban timba is that it often blends other rhythms into the breaks. Reggae, rap and hip hop have a huge following in Cuba, and the timba musicians love to play with those rhythms, and intertwine them into their salsa.
Cuban dancers have a lot of fun at these times – they pull back from a close embrace and launch into rhythmic middle body shudders and amazing buttock trembles ‚ all movements derived from afro-cuban rumba.
Some musicians in Cuba known for Timba (but also for Son):
Los Van Van
Pupy Y Los Que Son Son
Habana de Primera
Alexander Abreu
Maraca
Charanga Habanera
NG La Banda
Bamboleo
Manolito Simonet
El Nino y la Verdad
See more about Timba in “History of Salsa and Timba”
Salsa Dance
Cubans call their salsa dance style ‘casino’.
In the decadent days of Old Havana, all the action in town was going down at the Casinos. The gambling haunts had the money to bring in the big name bands, so that’s where people would go to dance.
Come the revolution, the casinos were closed, and the people started to dance ‘casino’ style in the local community halls. The name stuck, so don’t be confused when a Cuban invites you to go out dancing ‘casino’ you’re off to the salsa club!!
Cuban style salsa differs from the north american salsa styles in that it is ‘circular’ rather than linear. The man constantly moves around the woman in a circular dynamic, checking her out and showing her off. Exhibala!
Salsa Rueda de Casino (“Salsa Rueda”) Dance
Rueda de Casino is the correct name in Spanish. “Casino Rueda” or “Salsa Rueda” are English versions of the correct name, due to the fact that the grammatical structure of English is a bit backwards from Spanish!
Rueda is a synchronised cuban group dance with constantly exchanging dance partners.
It started out in the 1950’s at the Casino Deportivo in Havana. The people invented a new casino dance, using popular dance steps of the time, danced as a group in a circle or wheel.
In Cuba, the people used to get together in large halls, called ‘Casinos’ hence the name. Some say it started in Santiago de Cuba, others say it started in the famed Casino Deportivo in Havana, or the Casino de la Playa, I don’‚t know for sure, I wasn’t there! When the casinos were closed, people still referred to the dance style by using the name of the places where people used to gather to do it: “casino” and the name stuck. Nowadays people refer to the music as “salsa” and the dance as “casino”.
Casino itself has its roots in the ‘Danz’n, as well as its derivative, the Son Afro-Cuban dances such as Guaguane the Mambo, a rhythm invented by Cachao in the world-famous Tropicana Club in Havana, in 1943, and popularized by Perez Prado in Mexico, and “Cha-cha-cha” invented by Enrique Jorre.
Rueda (as it is commonly called in Cuba) is a form of Casino danced in a round with 2 or more couples exchanging partners when one person calls out the turn names (“Rueda” is Spanish for ‘Wheel’ and ‘Casino’ is known outside of Cuba as ‘Salsa’).
In the old casinos, the rueda circle would only be limited by available space – sometimes as many as 100 couples would dance in the rueda circle !!
Modern rueda uses the same kinds of turns and steps you would normally use in ordinary salsa dancing. Each move has a name, which is called by the leader of the Rueda. Leaders execute the move and pass the follower around to the next leader in the circle. Calls come in quick succession, creating an exciting dynamic between the dancers.
The steps that are considered the ‘core’ steps are danced in a similar fashion around the world and are the basic ones. Some of them are: Al Medio, Abajo, Dile que No, Adios, Adios con Hermana, (called “La Prima” in Cuba and Europe) Echufe (or in Miami: Enchufla), etc. The names may vary somewhat, but those are pretty basic steps, and which are danced in Cuba, as well as in Santiago, Chile; Denver, Colorado and even Positano, Italy!
What happens next is a result of dance in general being a fluid and ever-changing entity, not stagnant. Moves are invented locally that reflect cultural reality. In Chile you might find a step named ‘Entel Chile’, with a move that mocks someone talking on the phone, since Entel is the largest phone company in Chile. In Miami we have a step called ‘Balsero’, which imitates the movements of the waves (‘Balsero’ is someone who comes to the YUMA (USA) by ‘balsa’ or ‘raft’). You won’t find that move in Chile because nobody gets to Chile by raft!
While some of the moves are graceful and intricate, others are just plain funny, such as ‘fly’ where the guys slap their palms together over the girls’ heads in a pretend fly-catcher move (as in “fly ball”, not the kind that buzzes around your food!). After all, what is dancing all about if not to have fun with it?!Colombia
Salsa Music
The hot salsa sound to come out of Colombia is Salsa Dura – Hard Salsa.
Colombian salsa is beautiful salsa for dancing and very popular among Wellington salsa dancers. It’s got a fast rhythm and a wicked big brass sound, reminiscent of the glory d
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*Cuban Casino Style Salsa Ranchera
*Cuban Casino Style Salsa Chips
*Cuban Casino Style Salsa Recipe
*Cuban Salsa Videos
*Cuban Casino Style Salsa Casserole
Salsa is a Latin dance style that developed in the early 20th century in Colombia’s before the Communist revolution. Initially influenced by Puerto Rican salsa manufactured, and distributed to all Western New York. Originally developed salsa dance base measures Hsun Hwawanko Colombian and Afro – Cuban combined elements of swing dancing, mambo, cha cha cha, and a variety of African dance – Cuban others.
Dance danced the rhythm of Latin music four quarters, based on the Son, Timba or Mambo.Salsa Styles:
Salsa’s roots are based on Cuban Son, specifically to the beat of Son Montuno in the 1920s. However, as it is a popular music, it is open to improvisation and thus it is continuously evolving. New modern salsa styles are associated and named to the original geographic areas that developed them. There are often devotees of each of these styles outside of their home territory. Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other. The point in a musical bar music where a slightly larger step is taken (the break step) and the direction the step moves can often be used to identify a style.
Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
So now that the Cuban especially those who were in the casinos and those who were in the night clubs when they came out in Miami, they brought a specific style of salsa with them called Lahue’la or casino style salsa. When the casinos were closed, people still referred to the dance style by using the name of the places where dancers used to gather to do it: “casino” and the name stuck. Cuban casino dance differs from the North-American salsa styles in that it is ‘circular’ rather than linear.
Latin American styles originate from Cuba and surrounding Caribbean islands including Puerto Rico, and theDominican Republic and then expanding to Venezuela, Colombia, and the rest of Latin America; also heavily influence “Miami” style which is a fusion of Cuban style and North American version. The styles include “Casino”, Miami-Style, Cali-style and Venezuelan Style.
North American styles have different characteristics: Los Angeles style breaks on the first beat “On 1” while New York style breaks on the second beat “On 2”. Both have different origins and evolutionary path, as the New York Salsa is heavily influenced by Jazz instruments in its early growth stage.Cuban “Casino” style:
Cuban-style salsa, also known as Casino, is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East. DancingCasino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering around their popular music. Quick online poker tips.
The name Casino is derived from the Spanish term for the dance halls, “Casinos Deportivos” where a lot of social dancing was done among the better off, white Cubans during the mid-20th century and onward. Historically, Casino traces its origin as a partner dance from Cuban Son, fused with partner figures and turns. As with the Son, Danzon and Cha Cha Cha, it is traditionally, though less often today, danced “a contratiempo”. This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music. What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a “Casino” dance. In the same way that a “sonero” (lead singer in Son and salsa bands) will “quote” other, older songs in their own, a “casino” dancer will frequently improvise references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage. This is particularly true of African descended Cubans. Such improvisations might include extracts of rumba, dances for African deities, the older popular dances such as Cha Cha Cha and Danzon as well as anything the dancer may feel.Miami-style Casino:
Developed by Cuban migrants to Florida and centered around Miami, this form of Cuban Salsa fused with American culture and LA Style. Major differp of Colombian Salsa is the “Atras” or “Diagonal”; breaking backwards diagonally instead of moving forwards and backwards as seen in the New York and L.A. Style. Dancers do not shift their body weight greatly as seen in other styles. Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies. The dancer breaks mostly On1 (sometimes On3), with short measures of “4” instead of full “8” counts.
A major difference of Cali Style and the other styences of Miami-style Casino is that it is exclusively danced on the downbeat (On1) and has elements of shines and showstyle added to it, following repertoires of North American Styles.
Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.Colombian / Cali style:
Cali-Style Salsa, also known as Colombian Salsa, is based on geographical location of the Colombian City of Cali. Cali is also known as the “Capital de la Salsa” (World’s Salsa Capital); due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.
The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as Pachanga and Boogaloo.
The basic steles is the footwork which has quick rapid steps and skipping motions. They do not execute Cross-body Leads or the “Dile Que No” as seen in LA/New York-style and Cuban-style salsa, respectively. Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships. Cali hosts many annual salsa events such as the World Salsa Cali Festival and the Encuentro de Melomanos y Coleccionistas.Los Angeles style:
L.A. style is danced on 1, in a slot, with a measure of easiness and adaptability to it. It is strongly influenced by the Mambo, Swing, Argentine Tango and Latin Ballroomdancing styles. L.A. style places strong emphasis on sensuousness, theatricality, aerobics and musicality.
The lifts, stunts and aerial works of today’s salsa shows are derived mostly from L.A. Style forms with origins in Latin Ballroom and Ballet lifts.
The two essential elements of this dance are the forward–backward basic as described above and the cross-body lead. In this pattern, the leader steps forward on 1, steps to the right on 2-3 while turning 90 degrees counter-clockwise (facing to the left), leaving the slot open. The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot. After these 8 counts, the leader and follower have exchanged their positions.
Albert Torres, Laura Canellias and Joe Cassini are credited for the early development and growth of L.A. Style Salsa. Later, such dancers as Alex Da Silva, Edie Lewis, Joby Martinez, Josie Neglia, Liz Lira, Johnny and Francisco Vazquez and Janette Valenzuela are often credited with developing the L.A. style of salsa dancing as we know it today.New York style:
New York style is danced in a line similar to LA Style salsa. However, unlike LA style, it is danced on the second beat of the music (“on 2”), and the follower steps forward on the first measure of the music, not the leader. The etiquette of New York Style is strict about remaining in the “slot” and avoiding traveling dancing in a sandbox area with a lot of spins, turns and styling. There is greater emphasis on performing “shines” in which dancers separate themselves and dance solo with intricate footwork and styling for a time—suspected origins from Swing and New York Tap.
Though he did not create New York style salsa, Eddie Torres is credited with popularizing it, and for having the follower step forward on the second beat of the first measure.
There are two distinct developments of New York salsa as a music and dance genre:
*Primary original evolution from Mambo era when Cuban music was introduced to New York due to influx of migrating Cuban dissidents and Latin migrants during Pre/Post Cuban Revolution in the 1950s and 1960s. This era is known as the “Palladium Era”. At this time, the music and dance was called “Mambo” or “Rhumba”—connoting the general term without being specific. The most famous dancer during this era was Puerto-Rican descendant Pedro “Cuban Pete” Aguilar, also known “The King of Latin Beat”.
*Secondary evolution during the late 1970s, Latin migrants, particularly Puerto Ricans, contributed to the New York salsa development during the “NuYorican” era of Héctor Lavoe which greatly popularized salsa as a term and modern Latin music throughout the world. Salsa superstars were “discovered” during the era, such as Ray Baretto (“The Godfather”) and Celia Cruz (“The Queen of Salsa”). There are also salsa artists that transcend both periods, notably the legendary Puerto Rican Tito Puente (“The Mambo King”).
These two developments create a fusion of a new salsa music and dance genre, different than its Latin American and L.A. Style counterparts.
New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.
(wikipdia)
Dance like no one is watching!
Following information was compiled from various sources on the Internet
Following categories are covered below:
1. Salsa Music and Dance Around the World (New York, Los Angeles, Cuba, Colombia, West Africa)
2. The History of Salsa and Timba
3. Cuban Casino style Salsa dancing
4. History of Salsa Rueda and what is Salsa Rueda
Chris with Pupy, one of the original founders
of Los VanVan (Cuba)Jessica and Chris with Giraldo Piloto
in Havana, CubaJessica & Chris with Eugenio “Raspa”
Rodriguez of Septeto Nacional in HabanaPalacio de la Rumba in HabanaDrummers at Rumba classDrummer at the Palacio de la Rumba
in HabanaNew York (USA)
Salsa Music
During the 1940s and 50s, Cuban musicians had a huge influence on the New York music scene.But once Fidel came to power, diplomatic relations fell apart between Cuba and the US. Cuban musicians could no longer travel to the United States and Cuban recordings received no air play time. So the Puerto Rican and NuYorican (New Yorkers of Puerto Rican descent) musicians took on The Big Apple single handed.
These days New York salsa has a distinctly Puerto Rican sound ‚ smooth, polished, classic salsa. It tends to follow the jazz structure, incorporating lengthy instrumental breaks to showcase the ability of particular musicians.
Leading musicians playing NewYorican Salsa:
Celia Cruz
Willie Colon
Eddie Palmeiri
The Spanish Harlem Orchestra
Jimmy Bosch
Salsa Dance
The high concentration of Puerto Ricans and NuYoricans in New York, means that the New York salsa dance style is strongly Puerto Rican influenced, with an emphasis on fast flash footwork.
But, there‚is also a strong Latin Hustle influence in New York salsa dancing. It looks like this is a byproduct of the disco craze, which was HUGE in The Big Apple in the late 70‚s and early 80‚s. Take another look at Saturday Night Fever when you get the chance.Tony Manero (John Travolta) is King of the Latin Hustle in the local Brooklyn discos.
When salsa started to move into the Manhatten based clubs in the late 80‚s, many ex-Hustle dancers brought their disco moves into their salsa.
The current New York salsa style is called Mambo or Salsa On 2. It‚s a blend of Puerto Rican salsa and Latin Hustle with the break on the second beat of the clave. New Yorkers are quite fanatical about Salsa On 2 – there‚s stacks of internet sites which debate the finer points of ‚Salsa On 1″ and ‚Salsa On 2″.Explore them if you dare.Los Angeles (USA)
Salsa Music
LA doesn’t have a distinctive salsa music style. Local bands adopt the Puerto Rican classics. In LA-style Salsa Cuban salsa music isn’t popular, as it doesn’t work with the LA dance style.
Salsa Dance
LA style salsa moves are designed to dazzle the spectator – exciting, sexy and flamboyant with lots of dips, spins and drops.
The dominant influences are from Puerto Rican salsa, Latin Ballroom and probably Lindy Hop (an American dance that evolved in Harlem, New York City, in the 1920s and 1930s and originally evolved with the jazz music of that time.)
The LA style “shines” have their roots in Latin Ballroom. Couples break away from each other in the middle of a dance to start “shining”. Women will extend their arms to strike a pose, then play with stylised hip and hair movements.
Men’s shines tend to focus on tricky footwork based on Puerto Rican style salsa.
LA style salsa dancers often develop highly choreographed cartwheel and flip routines into their movements.Cuba
Salsa Music
The contemporary salsa sound coming out of Cuba is called‚ timba. It’s a fast tempo salsa with a strong afro-cuban influence. Songs will often follow a traditional rumba structure – start slow, break into a core salsa rhythm, then settle into a beautiful call and response vocal pattern. The backing vocalists keep the standard response running while the lead vocalist improvises. Ahi Na Ma!
The other feature of cuban timba is that it often blends other rhythms into the breaks. Reggae, rap and hip hop have a huge following in Cuba, and the timba musicians love to play with those rhythms, and intertwine them into their salsa.
Cuban dancers have a lot of fun at these times – they pull back from a close embrace and launch into rhythmic middle body shudders and amazing buttock trembles ‚ all movements derived from afro-cuban rumba.
Some musicians in Cuba known for Timba (but also for Son):
Los Van Van
Pupy Y Los Que Son Son
Habana de Primera
Alexander Abreu
Maraca
Charanga Habanera
NG La Banda
Bamboleo
Manolito Simonet
El Nino y la Verdad
See more about Timba in “History of Salsa and Timba”
Salsa Dance
Cubans call their salsa dance style ‘casino’.
In the decadent days of Old Havana, all the action in town was going down at the Casinos. The gambling haunts had the money to bring in the big name bands, so that’s where people would go to dance.
Come the revolution, the casinos were closed, and the people started to dance ‘casino’ style in the local community halls. The name stuck, so don’t be confused when a Cuban invites you to go out dancing ‘casino’ you’re off to the salsa club!!
Cuban style salsa differs from the north american salsa styles in that it is ‘circular’ rather than linear. The man constantly moves around the woman in a circular dynamic, checking her out and showing her off. Exhibala!
Salsa Rueda de Casino (“Salsa Rueda”) Dance
Rueda de Casino is the correct name in Spanish. “Casino Rueda” or “Salsa Rueda” are English versions of the correct name, due to the fact that the grammatical structure of English is a bit backwards from Spanish!
Rueda is a synchronised cuban group dance with constantly exchanging dance partners.
It started out in the 1950’s at the Casino Deportivo in Havana. The people invented a new casino dance, using popular dance steps of the time, danced as a group in a circle or wheel.
In Cuba, the people used to get together in large halls, called ‘Casinos’ hence the name. Some say it started in Santiago de Cuba, others say it started in the famed Casino Deportivo in Havana, or the Casino de la Playa, I don’‚t know for sure, I wasn’t there! When the casinos were closed, people still referred to the dance style by using the name of the places where people used to gather to do it: “casino” and the name stuck. Nowadays people refer to the music as “salsa” and the dance as “casino”.
Casino itself has its roots in the ‘Danz’n, as well as its derivative, the Son Afro-Cuban dances such as Guaguane the Mambo, a rhythm invented by Cachao in the world-famous Tropicana Club in Havana, in 1943, and popularized by Perez Prado in Mexico, and “Cha-cha-cha” invented by Enrique Jorre.
Rueda (as it is commonly called in Cuba) is a form of Casino danced in a round with 2 or more couples exchanging partners when one person calls out the turn names (“Rueda” is Spanish for ‘Wheel’ and ‘Casino’ is known outside of Cuba as ‘Salsa’).
In the old casinos, the rueda circle would only be limited by available space – sometimes as many as 100 couples would dance in the rueda circle !!
Modern rueda uses the same kinds of turns and steps you would normally use in ordinary salsa dancing. Each move has a name, which is called by the leader of the Rueda. Leaders execute the move and pass the follower around to the next leader in the circle. Calls come in quick succession, creating an exciting dynamic between the dancers.
The steps that are considered the ‘core’ steps are danced in a similar fashion around the world and are the basic ones. Some of them are: Al Medio, Abajo, Dile que No, Adios, Adios con Hermana, (called “La Prima” in Cuba and Europe) Echufe (or in Miami: Enchufla), etc. The names may vary somewhat, but those are pretty basic steps, and which are danced in Cuba, as well as in Santiago, Chile; Denver, Colorado and even Positano, Italy!
What happens next is a result of dance in general being a fluid and ever-changing entity, not stagnant. Moves are invented locally that reflect cultural reality. In Chile you might find a step named ‘Entel Chile’, with a move that mocks someone talking on the phone, since Entel is the largest phone company in Chile. In Miami we have a step called ‘Balsero’, which imitates the movements of the waves (‘Balsero’ is someone who comes to the YUMA (USA) by ‘balsa’ or ‘raft’). You won’t find that move in Chile because nobody gets to Chile by raft!
While some of the moves are graceful and intricate, others are just plain funny, such as ‘fly’ where the guys slap their palms together over the girls’ heads in a pretend fly-catcher move (as in “fly ball”, not the kind that buzzes around your food!). After all, what is dancing all about if not to have fun with it?!Colombia
Salsa Music
The hot salsa sound to come out of Colombia is Salsa Dura – Hard Salsa.
Colombian salsa is beautiful salsa for dancing and very popular among Wellington salsa dancers. It’s got a fast rhythm and a wicked big brass sound, reminiscent of the glory d
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